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  • MEDIA | IDEE INDIGO FLUTE

    MEDIA VIDEOS AUDIOS PICTURES Play Video Play Video 04:19 Play Video Play Video 09:38 Play Video Play Video 03:05 Play Video Play Video 03:54 Play Video Play Video 03:48 Play Video Play Video 04:20 Play Video Play Video 04:32 Play Video Play Video 02:36 Play Video Play Video 06:10 videos More Videos AUDIO SOUNDCLOUD I subscribe PHOTOS

  • ANECDOTES, RÉCITS | IDEE INDIGO FLUTE

    ANECDOTES , STORIES I was 21 ... ... when I set foot for the first time in Paris, coming from Lyon, my native province. To take lessons with Ms. ANCELIN. As soon as I entered the hall of the Conservatory, I heard wonderful sounds. So wonderful that I wondered what instrument it could be. Not the flute! Impossible..! Too handsome ! I was captivated and above all impressed. But I knew well inside me that it was beautiful and well the sound of the flute… I sat on a bench where it took me 2 good minutes to finish convincing myself that it was indeed flute sounds. Who did come from the room on the left where I was supposed to come and introduce myself. I got scared. I wanted to go back to Lyon straight away. Fear of ridicule. Fear of this new world. I needed another 15 minutes to force myself into the room, after having managed my cold sweats: the price of the TGV ticket and the sums involved represented a lot of money for my mother. I could not decently abdicate. I presented myself in front of the room, I knocked, I entered. And what I heard "live" changed my life ... Read more... J'avais 21 ans... After brief presentations of use ... ..., I sat down and listened to the different students. My level was much lower than what I heard… 1 hour later, my turn came. It was fairly brief. In barely 2 minutes, Mrs. Ancelin, a radiant woman with great vital force, made me understand that I could not join the Conservatory. That I had absolutely no level. I'll skip the details, but I literally implored her, forcefully telling her "Trust me Madam!" Please trust me! You will not regret it ! " She has accepted. And fixed me a new probationary appointment 1 month later. Read the end ... Après de brèves... I worked... ... hard. Scales, arpeggios, fingerings, exercise of mechanism, posture, sounds, studies, breath… I only had as a guide the precious advices of Sophie DUFEUTRELLE, my teacher in Lyon, but above all what I had heard at the Conservatoire in Paris. I rejoiced at my progress. I cried over my defeats. I was driven by a phenomenal force. A month later, I presented myself again in front of the one I admired already for having heard her only once. I played her the pieces she gave me to study. She stirred, smiled, raised her arms to the sky. She asked me to stop and put my flute down. She hugged me very tightly, stamped her feet, laughed. She said to me "You, at least, you keep your word". She added something like “What you just did is amazing”. Once the session was over, I left. I sat down in a square. And I collapsed. I cried a lot. I, the child of the "city", finally entered the Conservatory! From Paris ! Never give up. Persevere. J'ai travaillé... I was 17... ... when I entered the National School of Music and Dance in Villeurbanne (Lyon). I was lucky enough to benefit from the teaching of two flute masters. My «real» first courses were given by Serge SAITTA. An authentic artist passionate about Baroque Music, he has obviously given me a very strong passion for this music that I still mostly practice today, thanks to his deep knowledge of «the art of playing the flute». He was indeed one of the pioneers of the re-discovery of this repertoire alongside Barthold KUIJKEN or William CHRISTIE, to name but a few. But the technique of the modern flute, especially that of the 19th and 20th centuries, was taught to me by Sophie DUFEUTRELLE. By her passion, her rigour and her curiosity, not to mention her contagious good humor, she set me on the path of demanding and open to new music, was my patient advisor for several years, to whom I know I owe a great deal today, and allowed me to follow the Masterclass of Pierre-Yves ARTAUD, specialist of the contemporary flute and a new approach to the repertoire. The ENMD of Villeurbanne was also for me the time of my first «contract» thanks to Antoine DUHAMEL, then Director of our school, with whom I also took courses of harmony and composition. ​ J'avais 17 ans... La cité... The city... ... in which I grew up was, to say the least, infamous. Even the police only entered in cases of force majeure ... Coming home at night was always tricky, even dangerous. Especially with my flute, or my cello. From the bus stop to my HLM block, I had to take a dark road. Then walk along a city that was even "hotter" than mine. The strategy was appropriate: to take the sidewalk opposite, it was to show that I was afraid. I would be therefore sure to be approached by a gang. To walk on the sidewalk of this sensitive city while looking down was a bad idea: again, it was taken for fear and too often ended in trouble. It was therefore necessary to pass very close to these "bands" with your head held high. Respond to them as briefly as possible without reacting to their verbal attacks. And look them straight in the eye for a second. Especially no more. Because an ill-chosen word or a too insistent look was taken for a provocation and it ended badly. Once the "dangerous" zone was passed, it was necessary to respect a simple rule: not to turn around ... With exceptions, but that was a question of the sixth sense. In short, it took a lot of "tact" and diplomacy. Arrived in my city, it remained to hope that another band was not sitting right in front of the entrance to my stairwell ...

  • CONTACT | IDEE INDIGO FLUTE

    CONTACT I want to subscribe to the newsletter. To send THANK YOU ! I WILL ANSWER YOU AS SOON AS POSSIBLE!

  • ZOOM | IDEE INDIGO FLUTE

    ZOOM COMING SOON ... ON YOUTUBE ... The new videos are on Youtube... ​ Want to know more : LINKTREE ​ ​ I subscribe

  • HOME | IDEE INDIGO FLUTE

    INDIGO IDEA I subscribe Flute TO BE... An artist Freed from the constraints of the scene. ​ An independent artist . Polymorphic. Various. Unformatted in too small a format. Free from the "Majors" circuit. ​ A peaceful artist . To find the essential. The melody. The inner melody. Natural. Far from the deafening and inaudible tumult of a world overcrowded with dissonances. Find out more: BIO Flute... ... In varied musical universes ... I never tire of discovering this fabulous instrument through covers or personal compositions from different horizons. NEWS DANY BOY It is under this artist name that I invite you to discover what I consider, today even more than yesterday, as a "miracle", a truly magical instrument: THE FLUTE! ...& More... I also like to sing along with the guitar or the piano and thus offer you covers or original creations ... ... Again... Or share my thoughts or mood posts with you in short videos ... Or venture into sound creations far from the model of imposed figures ... Subscribe to the news Subscribe Thank you ! Isidore Désiré INDIGO CONTACT I want to subscribe to the newsletter. To send THANK YOU ! I WILL ANSWER YOU AS SOON AS POSSIBLE!

  • ABOUT | IDEE INDIGO FLUTE

    Haut de Page BIOGRAPHY BIOGRAPHY ANECDOTES, STORIES REFLECTIONS TO BE ​ An artist freed from the constraints of the scene. ​ An independent artist . Polymorphic. Various. Unformatted in too small a format. Freed from the diktat of "producers". ​ A peaceful artist . To find the essential. Inner Peace. Natural. Far from the deafening and inaudible tumult of a world overcrowded with dissonances. ​ My project is a bit of all that. ​ For that, I have a master tool: music. A star: the flute Every day I work in this way. I am not aiming for the miracle. I am simply trying, in every moment, to slowly take the time to find it. Because I don't have time to go too fast anymore. I seek to progress towards a peaceful world and to share it. Renvoi haut de page 1 AUTOBIOGRAPHY biographie Guitar, dulcimer, banjo, jaw harp, chants ... There has always been music in our siblings from my youngest age. I don't even remember when I started playing the harmonica. My older sister gave me my first recorder when I was 6 years old. In beautiful maple wood. Have taken the flute lessons with the family. Then studies in music school and the University of Lyon thanks to Antoine Duhamel, Serge Saïtta, Sophie Dufeutrelle. And the Paris Conservatory in the prestigious French flute school with a great Lady of the flute, Maryse Ancelin. I then passed a CAPES in Music Education in Tours and then a Music Aggregation in Nice. To teach and live today between Strasbourg and the state of Baden-Württemberg in Germany. Top of page ANECDOTES , STORIES ANECDOTES, RECITS I really started ... ... studying the transverse flute at 16. Since then, I have progressed and my passion has never left me. It is rarely too late! Top of page I was 21 ... ... when I set foot for the first time in Paris, coming from Lyon, my native province. To take lessons with Ms. Ancelin. As soon as I entered the hall of the Conservatory, I heard wonderful sounds. So wonderful that I wondered what instrument it could be. Not the flute! Impossible... Read more... J'avais 21 ans... I was 17... ... when I entered the National School of Music and Dance in Villeurbanne (Lyon). I was lucky enough to benefit from the teaching of two flute masters. Read more... The city... ... in which I grew up was, to say the least, infamous. Even the police only entered in cases of force majeure ... ​ Read more... REFLECTIONS Réflexions Top of page Happiness By wanting to save time, we lose happiness. Love For those who do not have the light of love, the day will always be the night. Silence Sounds and music are only the light that illuminates the essential, the object of the sage's desire : silence, the supreme goal of all music. Eternity In every moment, eternity awaits you.

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